Sussex Weft – a collection in the making
A new collection of pieces has been developed inspired by natural textiles
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Elaine Bolt
Making Ground
Making Ground is an adventurous collaboration between craftspeople and the land led by basket maker Annemarie O’Sullivan with ceramic artist Elaine Bolt.
Objects Can Tell Stories
Objects, stories and lost spoons ‘Objects can tell stories’ is a tag line that I use for my work and its an idea I find I keep coming back to. Objects both found and made can speak to us in so many ways, evoking a real memory or suggesting something completely imaginary. It’s a thread running through my work,
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Every One is Different
Warm Chocolate I’ve been working on some new clay and glaze combinations lately, inspired by woodland walks (my previous post has more on this). My latest firing included pieces using these tones, one of which is a rather chocolatey colour clay combined with a milky speckled glaze. This combination seems to work particularly well. I took
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Woodland Colours
The muted colours of Sussex in Winter and Spring must have been seeping into my thoughts and into my work over the past few months. Some new ideas and pieces have been emerging as a result. Colour palette I’ve spent some time looking at the colour palette I use and working on a range of colours, textures
Pursuit of Intrigue
‘Pursuit of Intrigue’ is the title of a new short film made about my work. The film offers a sensitive portrait of my current work; focusing in on my ceramic and mixed media objects; dipping into my thought processes, taking a peek at how I work with clay and incorporate found materials. The film can be viewed online
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Buoys and Vessels
I’ve been developing an idea based on buoys (the kind that are often used by boats, or on fishing nets) and particularly the broken and tangled versions I sometimes found washed up on the beach. I wanted to make something that took elements of the buoy and the open shape of a vessel. I also wanted to
Green and Black
My latest firing included porcelain pieces glazed in the new green colours that I’ve been focusing on, along with the dark, almost black clay vessels that I make. The glaze has a small amount of iron oxide added to give it the green tint. A larger amount of iron is added to the same glaze for
In the tea garden
Over the last few months, along with other things, I’ve been working on developing a new range of teabowls which will feature various complementary glazes. There’s something very special about the teabowl, with it’s handle-less form, that seems to make you engage with the vessel, and its contents, more intensely. It’s a simple concept but can be
Oatmeal and plums for tea
Some test pieces from my latest firing My latest firing included a mix of pieces heading for galleries and forthcoming shows. It also included some tests to try out different clay body mixes and surface treatments. Some of the new test pieces explore a different look to the light celadons and dark pieces that I make. I’m
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Clay
I’ve been experimenting again. In fact I think I’m always experimenting a bit. I always want to try out things and ideas that are new to me, so I rarely spend a day in the workshop without trying out a variation on a shape, a new glaze recipe, or a new clay body. Recently I’ve been
Mudlarking
Last week I went on a very exciting trip to London to go ‘Mudlarking’ on the banks of the River Thames. Beach combing, to seek out unusual ‘found objects’, is one of my favourite activities, but I’d never had the opportunity, or courage, to go foraging for finds in London before. My friend and fellow potter
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